Poetry Sunday: ‘Bright Stain,’ by Francesca Bell


[From the WVFC Poetry Archive. First Published April 28, 2019]



Every month comes the reminder
of the gash God made in me.
I wish to suppose He made it
with one finger, the way in which an artist
will attain proper right into a portray
and end it off. Not bothering
with brush or sponge,
simply making with a finger
that final mark wanted
to disturb the picture sufficient
that the attention believes it.



Am I not your receptacle,
emptiness on two legs,
opening within the entrance
you pour your self into?
You permit me with little one
who will depart me
with nothing
however biology’s bit
stuffed into my mouth,
physique break up like a lip
and gaping.


Each poems are from Brilliant Stain (Purple Hen Press 2019) and are reprinted right here with permission of the press. “Revision” was first revealed in B O D Y and “Definitions” in Connotation Press.

Brilliant Stain is accessible for order here.

Take heed to the poet studying these poems here. You’ll be able to watch and take heed to an interview of Bell and listen to her studying different poems here.

You’ll be able to learn opinions of Brilliant Stain here, here, and here.

Bell solutions interview questions on her work here.

Francesca Bell’s poems seem in lots of journals, together with ELLE, New Ohio Evaluate, North American Evaluate, Prairie Schooner, and Rattle. Her translations from Arabic and German seem in Arc, B O D Y, Circumference, Mid-American Evaluate, and The Massachusetts Evaluate. She is the co-translator of Palestinian poet Shatha Abu Hnaish’s assortment, A Love That Hovers Like a Bedeviling Mosquito (Dar Fadaat 2017), and the creator of Brilliant Stain (Purple Hen Press 2019). She is the previous poetry editor of River Styx and lives along with her household in California.


Poet’s Word

My poems “Revision” and “Definitions” have been each written out of a must grapple with my expertise of being trapped and outlined by my feminine physique—by the bodily, organic, usually excruciating details of it—in a method that males are spared. For thirty-six years, I suffered from endometriosis ache, each throughout and in between my durations. For every week earlier than each interval, for these thirty-six years, I struggled with devastating melancholy as my estrogen fell. I bore and delivered and nursed three youngsters, at heavy bodily value and danger. Then got here ten years of weird, perimenopausal signs, adopted by a 12 months of crippling incineration as my fertility burned utterly out. My expertise will not be uncommon. That is what it fairly often is to be a girl. Males’s our bodies are sealed, tidy. Nature requires no nice sacrifice of them with the intention to make sure the continuation of the species. A lot is demanded of ladies. We have been made open to the world. Like wounds.

I started writing my poems concerning the Catholic priest little one sexual abuse scandal in 2011, after I learn yet one more information story about clergymen being sheltered by their church and allowed to proceed of their duties years after having been credibly accused of abusing youngsters and years after the scandal first broke. I had already been studying concerning the lives of ladies in El Salvador, the place the Church successfully units the legal guidelines and abortion is illegitimate in all circumstances, together with rape and incest. Girls in El Salvador have been serving thirty-year jail sentences for terminating their pregnancies, whereas abusing clergymen acquired promotions and have been moved to contemporary looking grounds if the accusers of their parishes grew to become too vocal. The hypocrisy and the breathtaking lack of concern for the lives of ladies and youngsters curdled one thing inside me. There’s an previous German saying, I hear what you say, however I see what you do. If one appears at what the Catholic Church has accomplished, it’s inconceivable to conclude that the church hierarchy objects to the methods its clergymen have victimized youngsters.


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